トップ > カメラ > RED DIGITAL CINEMA > DSMC2 > DSMC2 HELIUM 8K S35
ブランドから選ぶ > RED DIGITAL CINEMA > DSMC2 HELIUM 8K S35

DSMC2 HELIUM 8K S35 DSMC2 HELIUM 8K S35 DSMC2 HELIUM 8K S35 DSMC2 HELIUM 8K S35
DSMC2 HELIUM 8K S35 DSMC2 HELIUM 8K S35 DSMC2 HELIUM 8K S35 DSMC2 HELIUM 8K S35

RED DIGITAL CINEMA

DSMC2 HELIUM 8K S35

RED-0003

3,100,000 円(税抜)

 

1万円以上は配送料無料

在庫の表示されない商品は注文扱いのため、
納期までお時間を頂く場合が御座います。



【特長】

W WovenCF HELIUM 8K S35 w/Sidekick/MgPL2.0 
新しいHELIUM 8K S35センサーを搭載したカメラです。 35.4メガピクセルのHELIUM 8K S35センサーは8Kで最大60fpsでの収録に対応。そしてスーパー35サイズ対応のレンズの使用ができます。

※OLPFの付属はStanderdのみとなります。
※ご購入初年度のサポート費が含まれます。サービスサポートの詳細は当社営業までお問い合わせ下さいませ。

〔従来販売しておりました、WEAPON8K “Certificated 8K Broadcast Model”と今回のカメラは一部仕様が異なります。Certificated 8K Broadcast Modelご希望の方は別途お問い合わせください〕

SENSOR TYPE MONSTRO 35.4 Megapixel CMOS HELIUM 35.4 Megapixel CMOS* GEMINI 15.4 Megapixel Dual Sensitivity CMOS
EFFECTIVEPIXELS 8192 × 4320 8192 × 4320 5120 × 3000
SENSOR SIZE 40.96 mm x 21.60 mm (Diagonal: 46.31 mm) 29.90 mm x 15.77 mm (Diagonal: 33.80 mm) 30.72 mm x 18.0 mm (Diagonal: 35.61 mm)
DYNAMICRANGE 17+ stops 16.5+ stops 16.5+ stops
MAX FRAMERATES1 60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)

60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)

75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)

96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)

150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)

240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
75 fps at 5K Full Height 1.7:1 (5120 × 3000)

96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)

150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)

240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
MAX DATARATES Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
PLAYBACKFRAME RATES
(PROJECTTIMEBASE)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODESETTINGS 
RANGE FROM2:1 UP TO 22:11
5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps

12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps

2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps

3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps
3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps

6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps

2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps

8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps

2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps 

6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps
REDCODE RAW
ACQUISITIONFORMATS2
8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECS3 DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps 
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
CONSTRUCTION Aluminum Alloy
WEIGHT 3.35 lbs (BRAIN with Integrated Media Bay)
OPERATINGTEMPERATURE 0°C to 40°C (32°F to 104°F)
STORAGETEMPERATURE –20°C to 50°C (–4°F to 122°F)
RELATIVEHUMIDITY 0% to 85% non-condensing
COLORMANAGEMENT Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
AUDIO Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTECONTROL Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOROUTPUTS 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOROPTIONS DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF(OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
REDCINE-X PRO
DELIVERYFORMATS
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITINGSOFTWARE 
COMPATIBILITY4
Adobe Premiere Pro, AVID Media Composer, 
DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro
Tech specs reflect both current and projected information. Everything is subject to change.

  1. REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information on available REDCODEcompression settings for all formats, see the DSMC Media Operation Guide.
  2. For more information on available acquisition formats, see the DSMC Operation Guides.
  3. Avid DNxHD/HR Codecs recording support added to DSMC2 firmware v6.3 or later.
  4. Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files.

*HELIUM 8K S35 MONOCHROME features the same technical specs as HELIUM 8K S35 with the exception of the MONOCHROME Sensor